Hearing Bach’s Passions (Daniel R. Melamed)

From the book, two tables

uit Daniel R. Melamed, Hearing Bach’s Passions (2005/2016).

This overview is confirmed by a number of ‘church service orders’ (Kirchen Agende). Martin Petzoldt and Robin A. Leaver give similar overviews but with more detail and some variations (a motet at the beginning) and a ‘reading’ of the Passion from a gospel-harmonisation. Which Passion? Bach apparently was free to choose, from his own production and from colleagues. A list of what we know:

uit Daniel R. Melamed, Hearing Bach’s Passions. (2005/2016). There is a fairly broad consensus about 1727 as the first version of the St. Matthew Passion, but it remains hypothetical, for no material (documentary) evidence available. Personally, 1729 convinces me more: Bach working on the St. Matthew Passion during Lent and then being commissioned to enhance the funeral of Leopold von Köthen, thus killing ‘two birds with one stone’ (the Funeral Music has 10 choruses/arias in common with the St. Matthew Passion).

Want to ‘imagine’ the entire service, here an evocation of a vesper with the performance of the St Mattew Passion

For those interested in the context: A sermon by Erdmann Neumeister (1720), a lutheran pastor, who also wrote cantate libretto’s. It’s a vesper sermon for the Passion-tide

from the ‘extra’s from a recording by Dunedin consort , dir. John Butt. Freely available on the internet.

Below the facsimile of the sermon (with ‘introduction) from the book: “Epistolische Nachlese derjenigen Predigten, welche er ehedessen in der Fürstlichen Schloss-Kirche zu Weissenfelss, uber die Sonn- und Fest-Tags Epistel-Texte, gehalten, und nebst sechs Passions-Predigten, auf Ansuchen, zum Drucke gegeben. Gott der Herre ist Sonn und Schild” (Hamburg, 1720)

If you want to read: click on the images to enlarge

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